Friday, March 22, 2013

A Tribute to Chinua Achebe

By Adejoh Idoko Momoh

 
At the accomplished age of 82, Nigerian literary icon Chinua Achebe is dead. Mostly acclaimed for his 1958 novel ‘Things Fall Apart’ which has sold a staggering 10 million copies and has been translated into about 50 languages, Achebe was until his death Professor of Africana Studies at Brown University.
To everyone, Achebe meant something. To impressive writers like Chimamanda Ngozi Adichie, he was a source of inspiration, a mentor of some sort. To school children, his literature helped shape language –the simplicity, courage of his writing: Achebe was never too complex to hinder understanding and never too simple to pass as pedestrian. To activists, he was a fellow activist- having refused Nigerian national honors in 2004 and 2011, accusing the government of turning Nigeria into ‘a bankrupt and lawless fiefdom’. To the Igbo’s, he was liberator- having played active roles in the 1967-70 struggle for Biafra’s liberation. In whichever way you choose to describe Achebe, one undeniable fact is that without Achebe, the Nigerian country and language would not have evolved as far as it has. 
 
According to his publishers ‘Penguin Books’, Achebe passed on the 21st March 2013. But it wasn’t until the next day I would hear of it. As my colleague broke the news, my immediate reaction was to question:
‘How can Achebe die?’
 No, I didn’t think he was immortal and therefore incapable of dying, I just needed some time to have the sad news of his death sink in. And giving that in a typical Nigerian day, you hear of the deaths of Nelson Mandela, Wole Soyinka amongst others, I wanted to confirm the news before I believed it. Looking back, I realize the news my colleague shared was mostly responsible for my sober mood all that day.
Let me say this, I am a writer with www.nigeriaintel.com, every other Thursday, I am obligated to produce an article that exposes some flaw in society, governance. People have often asked if with my writing I am capable of making any change in response to these people, I would borrow a quote from Chinua Achebe: 
"There is no moral obligation to write in a particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless."
 
Being a man who spent his life sharing his gift with millions of us lovers of literature/ students/ writers Achebe challenges me to put my gifts to good use.  To not be selfish, write as much as I can. Never cease to speak up when I see people oppressed. From reviews I have read, his most recent work ‘There Was A Country’ very artfully blends painful memories, history and ideals while retaining its truthfulness. 

I mourn Achebe’s physical death but I am consoled for I know amongst writers that he graciously shared his gifts, a part of him would in their writing live. For every student he touched, a part of him would in their intellect live. For every activist, it is hoped that the lessons of his kindness, his boldness would be inspiration, and for all Igbo’s, they have the gift of pride. Knowing that they had a brother, father, son that made we all as a country proud.


Adejoh Momoh (momoh.adejoh@gmail.com) can be followed on twitter @adejoh

Wednesday, March 13, 2013

BEHIND JONATHAN's LOVE AFFAIR WITH NOLLYWOOD

Adejoh Idoko Momoh.
 
When the $200m (N32bn) entertainment loan scheme for Nollywood was announced in 2010, most Nigerians saw it as nothing more than a political ploy to garner the support of one of Nigeria’s most influential industries. Now, these people realize they were wrong, and that it was just the beginning of what would eventually blossom into a love affair.
After admitting the industry still has about N31bn of the N32bn entertainment loan, the president at a dinner held on Saturday, March 2ndt o celebrate the 20th anniversary of the first Nigerian movie to be released on home video ‘Living in Bondage’ announced a further N3bn grant as part of his transformation agenda in the industry. 
To support the President’s grant, Akwa Ibom Governor and recently appointed Chairman of the PDP Governors Forum Goodswill Akpabio announced a further donation of some N50m to the industry as the President’s award for Creativity. As it is, the award would be given annually to the most creative Nigerian Actor and Actress.
 

 
In spite of the generosity to this industry that has seen tremendous growth in the last year mainly due to private sector participation; most Nigerians have expressed displeasure at the additional N3bn grant and think the sum demonstrates the misdirection of the Presidents spending policies.
With barely N1bn of N32bn released, why does the President think a separate grant is required to develop industry infrastructure? Mechanized farming that should employ a large population of Nigerians enjoys a grant of only N3bn as opposed to Nollywoods N35bn? Why would the President trap about N34bn worth of funds in Nollywood as part of his transformation agenda for the industry, when it is not Nigeria’s only ailing industry?  Has he considered how far Nollywood’s second grant of N3bn would go to transform Nigeria’s textile industry? Are there no transformation plans for our mining or manufacturing industries?
It would have been a better case scenario if these grants have demonstrated some sort of growth or development for the industry. Looking at Nollywood movies that have recently recorded breakthroughs like Jeta Amata’s Amazing Grace and Inale, or Chineze Anyaene’s blockbuster movie Ije, two things are evident: First, growth in the industry has been largely private sector driven, and the industry does not necessarily need funds from the government to produce quality movies.
Now consider the first movie that benefitted from the N32bn entertainment loan, Tony Abulu’s ‘Dr Bello’, for anyone who has seen the movie they are left with more questions than answers. For instance, how did a very poorly scripted movie as that qualify for a part of the entertainment loan? Is Nollywood not supposed to project the many positives of Nigeria? How then does a movie that portrays Nigerians as illegal immigrants in the U.S practicing unlicensed medicine qualify for government support? One certain lesson you would learn from Dr Bello is that Nollywood producers need to stop wasting funds on international actors and focus on local ones, as the crop of Vivica Fox, Isiah Washington and other foreign actors were easily overshadowed by the acting prowess of industry greats like Genevieve Nnaji and Stephanie Okereke. 
This article does not seek to condemn the allocation of funds to Nollywood, what it seeks to point out is the misdirection inherent in the allocation. One wonders what thoughts would have informed the decision to allocate a further N3bn to an industry that in 2013 has only applied for and obtained barely N1bn of the N32bn loan that was obtainable since 2010.
What the government needs to do is develop adequate distribution channels for our movies and fight privacy. After all, the industry would not record any growth if movies are produced, and not distributed. If privacy is not fought head on, what good is it – giving grants to producers for movie production when the movies would later be pirated and little or no money would be made from them?
In conclusion, the president should know that if he wants better movies from Nollywood, he must provide basic amenities for writers as well. One of Nollywoods biggest problems is script writing and that is the job of writers. He should complete the very ambitious Writers Village proposed by the Professor Raji led Association of Nigerian Authors and the Mamman Jiya Vasta Writers village in Mpape, where writers can have residencies and access to grants so they can concentrate wholly on writing blockbuster scripts as opposed to the current crop of poorly researched, non progressive scripts Nollywood is plagued with.
If attention is not given to script writers and writing, the Government’s need to throw billions at Nollywood would be of little good to Nigerians, the industry and the Presidents Transformation Agenda for the industry.

Sunday, March 3, 2013

REJOINDER TO 'EL RUFAI: MEMOIRS OF A POLITICAL SCAM ARTIST'.

Adejoh Momoh is responding to Gimba Kakanda's 'Memoirs of a Political Scam Artist' published on Sahara Reporters on the 22nd February, 2013.




First off, I must start writing this by admitting a fact: I am a fan of the man, Nasir Ahmad El- Rufai. Not only do I think he is extremely brilliant, I also think he is one man who truly has the good of Nigeria at heart. I began to hear of the man when his brother Bashir El-Rufai ran Intercellular, and I have admired him since. Referring to him in our home simply as 'my uncle', the fact that he graduated from the Ahmadu Bello University, Zaria a few years after my mother, helped to bolster the belief that we were family. I had the pleasure of first seeing the man in full flesh in 2007.

Funny story; my elder brother, my mum and I had embarked on the holy pilgrimage through the Pilgrims Board of the Federal Capital Territory. If you've ever travelled via state, you would know that this is no easy feat: after relocating to the Hajj camp in Gwagwalada where we didn't have immediate access to amenities we ordinarily would access at home, we were squeezed into a 'Mangal' aircraft some 3 days later that took us to Jeddah. I complained to my elder brother who sat beside me all through the flight. He would just look at me and smile, he was only too grateful to be able to fulfill his religious rites.

After changing into our 'Ihram' at Jeddah- a piece of white cloth firmly tied to your waist, and another lazily flung across your upper body, my mother pointed at someone in the distance and said, 'see your uncle'. At this point, I was getting familiar with walking in what to me felt like a skirt, all the same, I looked, and I whispered 'El-Rufai'. A memory I wouldn't hastily forget. We went on to have a conversation with him, very pleasant. He would later go on to demolish what was a major income earner for my family, our 'Corner Shops' but I admired him nonetheless.

I first encountered Gimba’s writing in his ‘Safari Pants’ anthology, and have admired his ease with rhythm and imagery ever since. As someone who has come to expect objectivity as I have seen in the many articles that have run on his blog www.gimbakakanda.blogspot.com, I approached his review with similar hopes, I was disappointed. Not only did his analysis reek of resentment, it also was not a representation of the book.

The opening of Gimba's review reads 'Malam Nasir El-Rufai is a saint. El-Rufai’s intellectual and managerial wisdom is unmatched by any living thing that has ever been in power in Nigeria.' he would then go ahead to describe the Accidental Public Servant as a 'revelation of the destructive elitism on whose back this polarized nation suffers'.

To a large extent, this is correct, one would even think that this is what the author sets out to accomplish in writing the book. After all, the book is a personal account of his nearly one decade in public service: the belief in the restoration of a public sector which has suffered systemic breakdown over years as a result of the very same elitism Gimba speaks of, and is doomed to suffer future breakdown due to deliberate policy reversals, amongst other ills. Having read the book wholly, I come from it with a lot more respect for El-Rufai, I come from it, challenged and inspired. Most importantly, I come from it with the surprising knowledge that with courage and confidence, it is possible to live a life of public service without being compromised.

Gimba is quoted as saying 'One, though, hears a man too angry'. When I read this statement I found it funny, amusing even. Reading Gimba's review, it is easy to imagine that the man is angered at the author: from El-Rufai's intellect which he describes as 'illusory' to his academic exploits which in his opinion makes everyone around the former minister dumb, it is not hard to question therefore if Gimba's anger got in the way of his objectivity during his review.

Gimba's description of how El-Rufai portrays President Yar’Adua cannot be farther from the truth, and to objective readers, would constitute selective interpretation. He chooses to only mention that the author sees the former president 'as an unserious student and chain-smoker', and chooses to leave out the portion of the book where the author describes his relationship with the ex- president as 'decent, professional, sort of brotherly' or where the author describes the ex President as 'modest and humble, both qualities he considers endearing', or where he describes his respect for Yaradua at par with his respect for Bashir El- Rufai - one of the only people who according to Gimba, the author considers saintly.

Gimba alleges that the author, 'never lets you forget he graduated with a first class honours degree; perhaps that is because he is the only one who has ever done so?' One would wonder what this statement demonstrates besides the ranting of someone obviously embittered over the accomplishments of another. Is he suggesting that the author keeps numb on his educational attainment in his own memoir? Or belittle his accomplishments to service the ego of a few insecure people?

Evidence of Gimba's deliberate misinterpretation of the author's words is evident in his attempt to explain the 'accident' in the book title, he states that 'there was no accident in El-Rufai’s public service career;' explaining that 'what he (the author) optimistically calls an accident was in fact an invitation from his elder brother’s friend to serve as a member of the advisory council in General Abdulsalam’s transition government'. What people like Gimba fail to understand is that you underestimate the understanding of the reading public when you deliberately misconstrue words to suit purpose.

El-Rufai's accident is in fact justified by the fact that nominees for ministerial appointment are simply recommended by certain people who are in the inner circle or are confidants of present leadership. Often, these recommendations are not based on known experience or qualifications.

I remember my sister making the joke when I first offered her the book, she asked, 'Why did he have to write 12 epistles?' and we both laughed. When I started out reading the 625 paged book, I thought I would find it a difficult read and would probably abandon it half way, but as I read, every page led to the other: the language is simplistic and refreshing, the humor of the book is genuine.

The Accidental Public Servant is the most gripping and insightful analysis of Nigeria’s political decay I have read of recent. I recommend the book wholly to every Nigerian and to anyone who has the interest of Nigeria at heart. Read it objectively, then decide who to believe: one who saw it happen, or a roadside book reviewer.

Adejoh Momoh (momoh.adejoh@gmail.com) can be followed on twitter @adejoh


Thursday, February 14, 2013

My 'Accidental' Twenty Fifth Birthday Gift to my Parents.


It was lazy on Monday the 11th- February; I would turn 25 the next day and decided to take work a little easy. I thought to myself, I must do something different: buy my parents a gift; after all, you do not turn 25 twice.

Indulging in the slow pace of work I created for myself, I brood over what gifts to get, and then it hits me. My boss publicly presented his book, ‘The Accidental Public Servant’ 6 days ago, I decide to give them copies of the book.
 

Both my parents love books. When we were a lot younger, they would force us to read them. I did read, for a while, and then settled for just the freshness of new books. On occasions, I would sneak into bookshops, open books, take in the fresh scent, and then leave. How mischievous I would feel!

Starting out as a journalist, my father always had a passing interest in governance and my mother long ago dedicated most of her life to activism, it only seemed appropriate that they would be very interested in the memoirs of a politician. One as controversial as Nasir Ahmad El- Rufai nonetheless.

I climb down two flights of stairs to a colleague’s office where I buy the books. A bookshop agent waiting to be attended to keeps smiling at me and I wonder what is wrong. I feel good; the thoughts of buying the books make me feel good. I think to myself, remembering how much of a gift my parents have given me.

For the 25 years I have lived, the one love I have counted on and known would always be constant has been my mother. At times when I took advantage of my parent’s separation, and collected fees from both parents, amidst scolds, my mother’s love was constant. I remember fondly a time when I took money out of her purse, she pondered over it for days, and then finally asked,

‘Is there anything you want that I deny you of?’ She had not accused, but I knew where it was headed. I apologized and her forgiveness was quick.

Thing is, for mothers like mine, my tongue would not cease to sing their praises. I do not doubt her strength for a second: the things she went through, struggles she survived, anyone with will not strong enough would have broken down. And I see this will in my 2 sisters, it reminds me of a T-Shirt design I had seen previously ‘Protect Your Woman, Broken Women Raise Broken Girls’


‘Momoh’! my colleague calls, knowing my attention for a few seconds was stolen. I compliment his shirt, say it is very impressive. He squirms happily like a puppy offered treats.

1 paperback and 1 hard back? Yes. I pay him the N14,000 due. Collect the books and thank him.

Tuesday, August 7, 2012

pINCHES dEEP

It Pinches Deep:
the Walls of my Stomach
Stuck Together like Glue.

This Pain that Lingers
will Hastily become Pleasure
with Simple Sip
of Nectars Sweet Taste

What Good does it Make?
If in Free Will
To pain I am Subject,
yet in End, Achieve nothing as Result

In Search of Piety,
of all Pleasures I Starve
for the Lords Hunger, is one of Many Sacrifices

Monday, July 16, 2012

cITY oF oRPHANS

Its all the same:
one hope that at extremes binds us

After witnessing ill, he said
'In Kano lies wrath:
bodies in thousands we saw,
and its same in every town Haram rolls'

Government swift in grace rose
'be not deceived,
for this fights cause is unjust:
and with military might we'd win'

Now its all the same,
our city like Kano, is one of orphans.

Monday, April 2, 2012

KANO. 23 JANUARY, 2012.

The sun in smoke was covered
as everywhere was in roars:
she placed her hands on aged breasts
and pictured it:
Kano: a city of rubble and death.
DARKNESS

Then military's intervention came
making obvious the doom that lay forth:
the stutter of gunfire,
the muffle of orphaned cries.
DARKNESS

That long- held- patient cry awoke:
looking upon his lifeless body
she said a prayer
'No mother should her son bury,
good lord, I'd gladly give my soul for his'
DARKNESS

Saturday, January 28, 2012

tWeNtY and FoUR

From birth,
heaven gave her word:
'His name shall be Momoh,
Momoh who in Aquarius born'

Judgement
that can only be gifted by heaven:
upon me the lord released,
making my life like a jewel shine

Then my father to me speaks:
'as you turn tWeNtY and FoUR
my favors well you'd enjoy
as with lavish and grace, i'd freely give'

To not too distant past I think,
remembering when life to me was ill. 

Thursday, January 12, 2012

.......... THE TAP HEAD

At 9:00pm
the president on news came
I heard him say a slogan
‘save water: every drop matters’

I asked mother for a drink
and she said
'turn the tap head,
and pray that this time, water flows’

I look through window as I turn the tap head
and see water lavishly wasted
in fountains that never run dry
and sprinklers that wet green grass


I swear a tear escaped my eyes,
as I turned in disappointment from the tap.

Thursday, December 1, 2011

sWEET sPACE

A vow to myself I swear,
in immorality
would I not engage
for all the time I have left

But you,
my personal weakness:
it amazes me how
from closed to open I go at your sight

As I look in distance
and see you smile,
even more like slut I feel
when 'I love you' you say

Sadly, if truth be told,
You leave me in sweet space.... wanting more